For a real eye-opening education on what’s going on with modern low-budget feature filmmaking technology, check out these collected clips from the set of Alex Cox‘s Repo Chick. The film, billed as “not a sequel to 1984’s Repo Man” was shot almost entirely on greenscreen, with backgrounds added later. The film also features physical stop-motion animation, a real anachronism among all the software, RAID arrays and compositing.
Repo Chick Digital Image Technician Luis Flores walks us through the process:
Behind-the-scenes of the visual FX:
And a uh, well, a, uh..preview. A five-minute film preview.
1) God, I hope that perma-shakeycam isn’t in the final cut: I need dramamine.
2) Alex Cox can write better dialog than this!
3) All that digital compositing sure puts images on a screen, doesn’t it? Yep. Right on the screen is where it puts them.